Turon White has not strayed far from his beloved Adelaide Hills, excepting experience-gathering vintages interstate and abroad, with the rich diversity of the region and the pristine fruit quality ideal for the elegant yet intense wines he makes under his Turon Wines label. With chardonnay, pinot noir and gamay to the fore, White takes a minimal-intervention approach, but his wines are in a classic mould, expressing variety, site and season with bell-clear clarity.
Vino Intrepido is a natural continuation for James Scarcebrook’s long-term connection with Italian wine, from fine-wine retail and extensive wine-focused travel to wholesaling some of Italy’s best wines. His range, which was launched in 2016 with two wines, has grown to include a suite of Italian varieties, including sangiovese, nebbiolo, fiano and nero d’avola. The grapes are all sourced from Victorian vineyards, then made in a way that takes inspiration from traditional Italian methods but is carefully tuned to be sympathetic to the natural expression of individual sites and seasons.
White Gate Wine Co. was founded by Chad and Georgia Connolly, who set out to frame the Barossa in a more elegant light, with earlier picking, plenty of whole bunch for reds and a minimal intervention approach. Working loosely with growers or leasing vineyards, the pair’s aim is to make wines they love to drink, elegant, balanced and light on their feet. They make a changing roster of wines, including varietal syrah, grenache, cabernet sauvignon, petit sirah (durif) and nero d’avola, plus a blend of semillon and riesling, a skinsy amphora semillon and a blend of grenache, mataro and cabernet – and there’s always plenty more in the pipeline.
With wines that are light to medium in weight, and sensitive making that sticks to minimal sulphur doses as the only additive, Louis Schofield launched Worlds Apart Wines in 2017. He works with syrah, riesling, grenache, nero d’avola, pinot noir, chardonnay and sauvignon blanc, sourced from McLaren Vale, the Eden Valley, and his home in the Adelaide Hills. And while his wines trace a natural arc, Schofield has no interest in dogma, with drinkability and deliciousness taking centre stage.
Mount Benson’s Wangolina is increasingly becoming a canvas for Anita Goode’s fascination with alternative varieties, though the classic French grapes of cabernet sauvignon, shiraz, semillon and sauvignon blanc still get plenty of airtime. Aside from grüner veltliner, which is a cherished grape for Goode, the varieties and future plantings are Italian and Spanish, with some red grapes sourced from Mundulla, with the warmer inland climate favouring lagrein, montepulciano, mencia and tempranillo. Goode’s wines champion the less-known varieties through pure expressions, but an increasing interest in experimentation, with more egg-shaped fermenters and a soon-to-be-finished winery sure to see the boundaries pushed in interesting ways.
Back around the turn of millennium, Alex McKay drove countless miles sourcing fruit for a big wine company. And, like many before him, that experience proved invaluable when he launched his own label, Collector Wines. Armed with a mental map of soils, macroclimates, varieties and clones, McKay has taken Collector into the elite ranks in…
Over the last decade or so, Jim Chatto has carved out a name for himself as one of this country’s finest winemakers. From grunt work in the Hunter Valley, Chatto showed his talent early and took on successive chief winemaker roles before simultaneously steering the great Hunter icon Mount Pleasant back into the limelight and…
Charlotte Hardy’s Charlotte Dalton wines were launched from the 2015 vintage, a semillon and a shiraz made in an unfussed lo-fi way. With a career making wine for some serious labels, these weren’t your classic new wave wines from Basket Range. They were a pivot from the norm, unbound but not wild, essentially personal expressions. Hardy’s wines are like that, made with technical understanding, but intuitively, a reflection of mood and moment.
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