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  • Marco Lubiana

    Marco Lubiana launched his eponymous label from the 2018 vintage, making a chardonnay and pinot noir, which will remain his focus, with a gentle hand in the winery and tireless year-round work amongst the vines key to his approach. Those wines were made from the Lucille Vineyard, which had been recently purchased by his family and converted to biodynamic farming.

  • Max Marriott

    Max Marriott’s Anim is the realisation of his dream to make wine in Tasmania from grapes he farms. While those vines are owned by others, that commitment to making wine from the ground up was never going to be compromised. He works mainly with chardonnay and pinot noir, though a field blend of red and white varieties and a pinot blanc and sauvignon blanc blend that spends over two months on skins also feature. Working organically (not certified) is the cornerstone for Marriott, with the work in the vineyards the biggest quality driver, and winemaking a thing he will talk about somewhat reluctantly.

  • Luke Monks

    Made by Monks is “a creative outlet” for Luke Monks, where he crafts an eclectic ensemble of wines from his Hobart base, with the emphasis taken off seriousness and placed on playfully challenging norms. With no set range, Monks has worked with chardonnay, pinot gris, gewürztraminer, riesling, syrah, pinot noir and semillon, often coupling them in non-traditional blends, and always making them in a lo-fi way. They’re statements of possibility in the Tasmanian wine landscape that is so dominated by classic styles from classic varieties.

  • Jim Chatto

    Over the last decade or so, Jim Chatto has carved out a name for himself as one of this country’s finest winemakers. From grunt work in the Hunter Valley, Chatto showed his talent early and took on successive chief winemaker roles before simultaneously steering the great Hunter icon Mount Pleasant back into the limelight and…

  • Greer Carland

    Carland’s choice of the name Quiet Mutiny for her own label is a metaphor of sorts. Having spent much of her career making wines for numerous clients – she was a Senior Winemaker with Winemaking Tasmania (the largest contract winemaker in Tasmania) for 12 years – Carland slipped away from her role in 2016 to pursue wine her way, to show what she sees in Tassie fruit through her unique lens. A classic riesling gains complexity from skin contact and wild fermentation, while pinot noir from the Derwent Valley sees a quarter of the fruit left as whole bunches. Carland also makes wines under the Laurel Bank label, which is her family’s vineyard in Granton that they planted in 1986.

  • Hugh McCullough

    Hugh McCullough’s Wellington & Wolfe label (named after the famous British generals) is a nod to a career in history left to gather dust while he forged ahead with an all-consuming love of wine. That love is democratic, with McCullough personally embracing all styles, but he has a special passion for riesling, and his Tamar…

  • James Broinowski

    James Broinowski turned out his first wine under the Small Island Wines imprint from the 2015 vintage, from Glengarry in the north. That wine went on to considerable wine show success and he was quickly talked about by some of the top critics as a maker to watch. That pinot was also the first Australian…

  • Jonathan Hughes

    It’s rare for a young winemaker to kick of their solo career with their own vineyard informing their wines, and it’s even rarer to have planted that vineyard themselves. Jonathan Hughes, with the help of his brother Matthew, did with the Mewstone vineyard and wine label. And this is no story of generational wealth at…